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7 thoughts on “ Sequence (Dies Irae) Beginning) - Verdi* - Maria Caniglia, Ebe Stignani, Beniamino Gigli, Rome Opera

  1. Discover releases, reviews, track listings, recommendations, and more about Verdi*, Tullio Serafin, Giuseppe Conca, Beniamino Gigli, Maria Caniglia, Ebe Stignani, Gino Bechi, Orchestra* And Chorus Of The Opera House, Rome* - Aida at Discogs. Complete your Verdi*, Tullio Serafin, Giuseppe Conca, Beniamino Gigli, Maria Caniglia, Ebe Stignani, Gino Bechi, Orchestra* And Chorus Of The Opera /5(4).
  2. Verdi: Requiem (Gigli) (): Giuseppe Verdi, Maria Caniglia: soul.alsarilsaithforius.infoinfo | Formats: CD, Vinyl, MP3 |Livraison gratuite dès 25 € d'achat (Rome Opera House) from to But her high B-flat (sung without portamento) and high C in the Libera Me sequence were right on target. Ebe Stignani also has a very dramatic sound. But she.
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  4. Beniamino Gigli is a legend, of course, and modern opera fans would be remiss not to hear some of his work. Like Caniglia, he also opens the Kyrie with plenty of dramatic verve. His Ingemisco is a real treat. His powerful high notes sound great even with the dated recorded sound. He swoops a lot between notes, but he always does it tastefully.
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  7. That Verdi's Messa da Requiem should be infused with the dramatic power of the his operas is no surprise. The text of the requiem is the most dramatic Verdi ever set, allowing him to explore his new ability to compose large sections of music on a "symphonic" scale with powerful passages for chorus and orchestra.. As much as Verdi lamented the death of Gioachino Rossini (), he was more.

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